This cycle of artworks has a quite symbolic title: "The future belongs to us". The sentence itself, taken from the "Cabaret" movie song (originally "Tomorrow belongs to me") sung by the (Nazi youth) jugends, transfers its meaning to the question

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Waiting for the Man portrays an event in double time, in one instance an original photograph from 1977, which inadvertently documents the collective fervour awaiting the return of Marshal Tito from North Korea, and in the other instance a personal

With his first solo exhibition Dejan Kaludjerovic, states his position on the totality of the tragedy in which we have been living for more than 10 years. At the same time he is not judging, but merely stating facts we

As the point of departure for his works done in Belgrade in the 1990s, Kaludjerovic offers memories of his own childhood in Tito’s Yugoslavia and the repeated social behaviour patterns and rituals of Yugoslav socialism.